The refinement and development of techniques that assist in beautiful, free singing were developed exponentially during my time as Dr. Jos Milton’s student. Not only skill, but also knowledge of composers, art song, chanson, and lied was shared in an easily comprehensible manner. I highly recommend Dr. Jos Milton as a teacher of voice to any rising artists and singers.
— Isaiah Traylor, tenor
I had a wonderful experience studying with Dr. Milton! He possesses a special gift in observing and empathizing with his students to understand each person’s particular vocal mechanism. Once he has built this understanding, Dr. Milton seems to form a unique path on which each student can work towards their personal goals, all the while providing vital tools needed for a successful future. Besides his mentorship, I also appreciated how he encouraged physical and mental health in his students and was always very sensitive to our well-being. Although I only had the privilege of working with Dr. Milton for four years, I strongly believe that the training I received has supplied a reliable set of skills to begin a confident musical career!
— Madi Morris, soprano
With a vast knowledge of vocal repertoire, Dr. Milton selects music that best fits his students’ qualities, vocally and artistically. He is keen to identify vocal problems and offer solutions—all the while maintaining a safe learning environment—across all levels of student ability. Dr. Milton strives to be the best instructor he can be, implementing a student-first approach to his studio where he listens, guides, and assists to the full extent of his ability. No singer leaves his studio without progress. 
— John Michael Walker, tenor
During times of transition, stability and encouragement are vitally important. Dr. Milton not only created an environment that helped me transition vocally from baritone to tenor, but also from student to young professional. After two years of exceptional growth, I only wish I had gotten more time with him!
— Ben Rorabaugh, tenor
Dr. Milton taught my most memorable classes at the University of Mississippi. He provided a healthy and nurturing learning environment that provoked creativity and thoughtful reflection. His song literature class was my personal favorite— the projects were an opportunity for me to express my own thoughts and feelings about the composers and their songs. He often compares the music to other art forms and developments at that time in history, giving a more well-rounded perspective. Dr. Milton’s passion for unique, not-your-typical-vocal repertoire is very prevalent in his syllabi and inspired me as I was planning my own masters recital and picking repertoire for my own students.
— Korynn Lacher, soprano
During my four years studying with Dr. Milton, I experienced much growth. His teaching is incredibly supportive, artistically informed and with the student’s best interest in mind. Dr. Milton’s knowledge of repertoire is impressive and he tailors his teaching to the individual.
— Cody Arthur
Dr. Milton seemed to always have the right thing to say to make me understand what was needed of me. Not only did he give me all the tools I need to succeed as a musician, but he also helped me to see the fun in the music I was making. By the end of my two years with him my voice was in a place I never thought it would or could be. He was not only a wonderful teacher but is a caring mentor as well. He truly cares about his students, both inside and outside the studio.
— Jocelyn Sanabria
I had the pleasure of studying voice with Dr. Milton. During that time, I found him to be caring, kind, and thoughtful both in his approach to vocal instruction and with the relationships he built with students. His warm-hearted, attentive nature translated to an immediate trust in his pedagogical process that allowed me to easily adopt his methods of vocal production, song interpretation, and musicality. I am a better musician and teacher because of my time with Dr. Milton.

Dr. Milton provided thought-provoking lessons in the classroom that helped me gain a more thorough understanding of the French art song genre. I was truly impressed with his ability to combine the genre’s historical underpinnings with a comprehensive overview of literary figures, composers and their text-setting styles, notable performers, and performance practices. His delivery of the course content was engaging and rigorous while instilling in me a sense of ownership and achievement. I enjoyed the class very much.
— Kevin Tharp
Dr. Milton is a wonderful voice teacher and technician. He is a master at helping each individual student find their voice and giving them the tools that they need to be successful musicians. His wealth of knowledge and genuine care for each student is evident in the repertoire he chooses for students. He carefully selects music that helps students to thrive and that challenges and takes them to the next level of performance.
— Zane Lynn
As Jos Milton’s former colleague at Concordia University Texas, I benefitted from his creative problem-solving, tireless work ethic, friendship, and willingness to do whatever it took to help his students translate technique into true musicality.

Despite Dr. Milton’s short tenure at Concordia University Texas his influence cannot be overstated as he was directly responsible for the drastic raise in students enrolling in the voice area the following two years. His helpful cooperative attitude contributed greatly to the positive team environment and congeniality of our department. In addition, he brought new ideas to the department from his extensive experience on stage and from his pedagogical studies.

As a colleague, Jos is incredibly generous with his time and expertise, both with faculty and students. When I arrived at Concordia I was new to teaching and Jos regularly allowed me to sit in on his lessons, answered questions about my own teaching, repertoire, or even my own singing. His guidance and support ultimately led me back to doctoral school and helped foster my own love of research. Jos has a natural ease with students and is often praised for his professionalism and enthusiasm.

Jos Milton is one of the finest performers I have ever seen. Not because he has the largest voice or even the most stirring voice – but because he knows how to use every facet and every nuance of his voice to make the emotion real, much like Elly Ameling did in her day. He chooses projects that speak to his character and moral compass, like his current project “Art Song of The American South.” Audiences look forward to his honest and heartfelt portrayals.
— Blythe Cates, DMA